Burst Chandelier at Chiesa San Nicolao della Flue
An installation of Tom Dixon’s new BURST chandelier in Chiesa San Nicolao della Flue, Milan’s historical Brutalist Church, built in 1968-1969.
Tom Dixon: We have tradition of inhabiting extraordinary spaces for the Milan fare, and this year we wanted to choose a fantastic Brutalist Church by Ignazio Gardella called San Nicolao della Flue. Churches have got the amazing ceilings and traditionally always have really beautiful chandeliers, and this minimal chandelier [Burst] seems like the right fit for this extraordinary Church.
Built in the Forlanini district on a project by Ignazio Gardella in 1970, the church overlooks an elevated churchyard towards which also the main public buildings of the settlement face. The temple rests on a pedestal, which houses the parish and service rooms, and the invasion is divided into three naves. The fundamental element of Gardella’s project is the sail roof, which characterizes both the interior and exterior. The particular shape projected onto the city – clad in vercuivre, a material obtained by mixing tarred copper and rubber leaves – is in fact divided into six structural elements resting on curved reinforced concrete frames, which are also responsible for the spatial rhythm of the hall. The goblet shaped frames also emphasize the upward thrust of the nave, illuminated by horizontal slits at the foot of the last curve of the roof that remain hidden from the faithful gathered in the assembly. The same expedient is adopted to illuminate the side aisles, whose openings are transformed on the outside into a long horizontal cut that signals the detachment between the roof and the volume of the hall.
Globe Burst Chandelier
Globe Burst is an extraordinary large chandelier featuring 12 Globe shades with a gloss black fitting. The shades are designed into a fixed configuration with a single point construction. Featuring our integrated LED module, the spherical orbs are highly mirrored and perfectly reflective during the day, and when switched on reveals a multiplicity of internal reflections.